Trust returns with more tales of heartbreak, desire, and nostalgia that pull you into Robert Alfons’ otherworldly atmosphere. We’re pleased the announce the release of Trust’s new EP, featuring the single, “Dressed for Space,” a new original track, “Divine,” and two new remixes. Trust is on the road with Yeasayer and Faint for the rest of the year.
Please let me know if you’d like an interview or can offer any coverage for any of these live dates.
European Tour Dates W/ Yeasayer 9/16 Berlin | Astra 9/17 Amsterdam | Paradiso 9/18 Copenhagen | Vega 9/19 Gothenburg | Pustervik 9/20 Oslo | Rockerfeller 9/22 Germany | Reeperbahn Festival 9/23 Cologne | Club Bahnhof 9/24 Brussels | AB 9/25 Paris | La Galte Lyrique 9/27 London | Shepherds Bush Empire 9/28 Glasgow | The Arches 9/29 Manchester | The Ritz 9/30 Dublin | The Button Factory
European Headline Shows 10/3 Edinburgh | Sneaky Pete’s 10/4 Brighton | The Haunt 10/5 London | Twat Boutique @ Hackney Wick Warehouse 10/6 Rotterdam | Rotown 10/11 Luzerne | Sudpol 10/13 Berlin | Berghain Kantine
Tour Dates W/ The Faint 11/08 Denver, CO | Ogden Theatre 11/09 Salt Lake City, UT | In The Venue 11/10 Reno, NV | Knitting Factory 11/13 Vancouver, BC | Commodore Ballroom 11/14 Portland, OR | Roseland Theater 11/16 Sacramento, CA | Ace of Spades 11/23 Phoenix, AZ | Crescent Ballroom 11/24 Las Vegas, NV | House of Blues 11/27 Dallas, TX | House of Blues 11/30 Nashville, TN | Cannery Ballroom 12/01 Atlanta, GA | The Masquerade – Heaven Stage 12/05 Washington, DC | 9:30 Club 12/07 New York, NY | Terminal 5 12/08 Boston, MA | Paradise Rock Club 12/09 Montreal, QC | Club Soda 12/11 Toronto, ON | Sound Academy 12/12 Chicago, IL | Metro 12/13 Minneapolis, MN | First Avenue 12/14 Omaha, NE | Sokol Auditorium
“The best of synth-goth’s both worlds” – PITCHFORK
“With their debut full-length, Trust has created the perfect, dirty soundtrack for your own gothic sex journey.” – VICE
“Moody, skulking pop that reminisces downcast ’80s dance at its best.” – THE FADER
“A grubby dance-goth sound that’s meant for late nights, crowded rooms, and dark spaces.” – NYLON
“The wiry and slight Alfons cuts an Ian Curtis doing a twitched-out running man figure, sounding perfect for the part with imporbably dulcet, appropriately clenched post-punk vocals.” – STEREOGUM