October 9, 2026 The Truman, Kansas City, Missouri Words and Photos by Adam Tibbott There was something familiar about the aggression inside Kansas City’s The Truman on Friday night. Something I hadn’t experienced on this level in a few decades. It wasn’t simply the volume of the music, the brutality
Year: 2026
🚌MEDIA ALERT: From Ashes to New Announce Spring 2027 Headline Tour + Donate $1 For Every Ticket Sold to Musicians On Call🚌
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October 3, 2026 Slowdown — Omaha, Nebraska Messa • Uncle Acid & The Deadbeats Words and photos by Adam Tibbott Some concerts overwhelm you with production. Others barely need any at all. On a warm fall Nebraska night, Messa and Uncle Acid & The Deadbeats brought two very different approaches
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STARSET has never been a band that simply releases music. From the mythology of the STARSET Society to transmissions, technological warnings, dystopian imagery and interconnected narratives, the band has spent years encouraging listeners to look beneath the surface. With STARSET’s latest run of singles, there may now be something hiding
Four Different Shades of Heavy: Omaha’s Scene Comes Together for Catsclaw’s Homecoming | Photos & Review | September 30, 2026
Catsclaw, LGHTBRNGR, Neo Sol and SightRot The Waiting Room Lounge, Omaha, Nebraska September 30, 2026 Words and photos by Adam Tibbott On paper, Catsclaw, LGHTBRNGR, Neo Sol and SightRot might make for an unusual lineup. All four Omaha bands exist somewhere beneath the sprawling metal, hardcore and metalcore umbrella, but
Coheed and Cambria Bring The Afterman: Descension Back to Life in Omaha While The Home Team Wins Over New Fans | Photos and Review | September 27, 2006
Coheed and Cambria, The Home Team This Is Our Way 2026 North America Tour September 27, 2026 The Admiral, Omaha, Nebraska Coheed and Cambria returned to Omaha with a set designed for the faithful. Fans were rewarded with the first complete live performance of The Afterman: Descension. Words and Photos
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M83 I Wrote You A Letter Tracklist September 25, 2026 There are very few artists whose music feels less like a collection of songs and more like a place you can visit. For more than two decades, Anthony Gonzalez has used M83 to construct one of those places. It is